PinnedThe Actor as Seismograph“A seismograph doesn’t create the earthquake. It simply records it, translates it, renders it legible.”Apr 16Apr 16
PinnedHOW DOES ONE APPROACH A NEW TECHNIQUE?And why on earth “are we so f@&^ing useless ?”Oct 18, 2021Oct 18, 2021
PinnedPlease sit…tell me all about it!The actor’s coach, Um…COUCH, I meant couch, yeah! Sorry, a Freudian slip.Jan 15, 2022A response icon1Jan 15, 2022A response icon1
URGE. VIBRATION. EXCITATION.The Aztecs and the Orgasmic Revival of Acting Training Kimon Fioretos | 5 min readJun 1Jun 1
Half a Map: A Short Text on the Suppressed Soul of Stanislavsky and the Rise of Materialist ActingWhat if everything you’ve been taught about acting was built on a partial transmission? What if the methods that define 20th-century…May 29May 29
Corrin, Clara, and the Form That SangOn Black Mirror’s “Hotel Reverie” and the Performance That Had Me at the Edge of My SeatMay 23May 23
The Very Sad Ending of a Genius — The Philosophy That Killed the Soul: How Dialectical Materialism…This article was inspired by Anatoly Smeliansky’s talk to students of the Michael Chekhov technique. What follows is not a lecture. It’s a…May 22May 22
Letting Go of Sacred Orbits: From Geocentric Skies to a Free Actor’s StageNothing is Sacrosanct.May 21May 21
